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G♯ Todi Raga

G♯ · A · B · C♯♯ · D♯ · E · F♯♯

Derived from the North Indian raga of the same name, G♯ Todi Raga uses a flat second, minor third, raised fourth, flat sixth, and major seventh. The combination of a raised fourth with a flat sixth and a leading tone is unusually tense. Rewarding for slow, ornamented playing where each note gets room to speak.
Left-handed
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