F♯ Messiaen's Mode #7
F♯ · G · G♯ · A · B · B♯ · C♯ · D · D♯ · E♯
The largest of Messiaen's modes of limited transposition, F♯ Messiaen's Mode #7 contains ten of the twelve notes in a symmetrical pattern repeating at the tritone. At that density it functions as texture rather than melody. Purely modern-composition material — there's little left for it to exclude.
Left-handed