D♯ Messiaen's Mode #7
D♯ · E · E♯ · F♯ · G♯ · G♯♯ · A♯ · B · B♯ · C♯♯
The largest of Messiaen's modes of limited transposition, D♯ Messiaen's Mode #7 contains ten of the twelve notes in a symmetrical pattern repeating at the tritone. At that density it functions as texture rather than melody. Purely modern-composition material — there's little left for it to exclude.
Left-handed